Mary Wollstonecraft Writings

Wollstonecraft's book on women's rights does not make reference to those who had gone forwards and who had c completelyed for greater rights for women, and just ab a expressive style of these earlier writers may have been unknown to Wollstonecraft. The book is consequently not an outgrowth of previous social or philosophical thought except to the degree that it arose within the wide effect for social change taking place in europium and the United States:

Broadening that movement to include a business organization for women was Mary's unique contribution, and she made it, not so much because of what she had canvas or the thinkers she had listened to and argued with, but from her own personal experience and her reflections on those experiences (Flexner 149).

Her concern was not with the sparing exploitation of women, though she would posterior recognize it, but she was concerned with middle-class women and the ladies of the "gentry" because she believed that these classes do the tone for society as a whole:

She is engrossed on removing the trade name attaching to woman--any and all woman--as creatures of instinct and feeling, devoid of intell

The theme is this: that women are human beings before they are sexual beings, that mind has no sex, and that society is expend its assets if it retains women in the role of convenient domestic slaves and "alluring mistresses," denies them economic independence and encourages them to be docile and attentive to their looks to the exclusion of all else (Tomalin 105).

Tomalin, Claire. The Life and Death of Mary Wollstonecraft. New York: Harcourt Brace Jovanovich, 1974.

Wollstonecraft's inhering themes in Vindication of the Rights of Woman are directed toward removing the stigma from women and recognizing that women and men are not as different as they have been made out to be:

ectual powers or the cogency for intellectual growth (Flexner 149).

Both Mary and her mother bodily this tension, though in different counselings.

Mary Wollstonecraft carved out a new direction for women writers, and Mary reacted to the radicalism of her mother by sublimating her own feminist expressions in less overtly political works.

. . . a hierarchy historically manifested in the doctrine of the set out spheres, in the domination of the male gender, and in the unequal statistical distribution of power between parents and children (Mellor 217).

At the same time, Shelley's works oftentimes involve the "monsters" of her contemporary social order. By "monsters" one critic refers not only to the monster of Frankenstein

Mary Shelley also expresses the romanticistic conception of the imbalance between what is hidden within and what is exhibited to the world, a problem marking out a feminine trauma. The way this is handled by Mary and other female writers differed markedly from the way it was addressed by male Romantics:

Mary Wollstonecraft was dedicated to the primacy of reason, and it was her feeling in reason that permitted her to conceive a world in which women might be seen in the world in a new way, a way that undid the violence of social norms requiring a simple, seemingly seren
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