Marriage for a woman like Lily Bart is a form of thraldom no matter how much she may throwk it. The bequest of real slavery has much to do with the position approach by the Invisible Man in Ellison's novel. The main record is a black man who is invisible in sporting society because he is black, in black society because he takes on various expected roles accepted by vacuous society, and to himself because he has been subsuming his real character in these roles and has not allowed himself to subsist as a real person with his own manoeuvre of look at. Each of the roles is supposed to be what the black man needs and wants, but each of the roles also fails this man. He is in realness an individual human being, and none of these poses accepts this fact or makes it case of his reality. He withdraws more and more from outside society, becoming an subsurface man.
The Vet from the Golden Day is another character for whom the American Dream has proven to be an
Banks, Russell. Affliction. New York: Harper & Row, 1989.
Wade would like to reconcile with his father, but the two have grown far apart. Nick had a good relationship with his father as the two hunt together and as the father tired to teach the male child how to deal with the realities and pressures of this life. Both stories take a dual view of American society, seeing reliable elements in it about which to be optimistic, while at the same time both see a violent undercurrent that is not readily unmingled but that defines the American character in a certain way. Nick runs up against this fact directly as he moves from this society to Europe and back, but Wade and Rolfe might be able to find the contrast just by hybridizing the street.
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