This article examines the independent relationship between the text which is the devil main characters in Prison Break Michael and Sara, fan-producer relationship which is their chat towards the drama and extra-hyperdiegetic property constructed around the relationship among Michael and Sara in the drama. It overly examines that how the text and forms of promotion/publicity construct the two characters as gendered subjects and how the online fans accept or challenge those constructions.
Knaggs (2011) argues, Prison Break rear be regarded as an unfolding text, whereby the characters and their relationship evolve gibe to the interactions among promotional materials, the text itself, and the online responses (Knaggs, 2011:396) This is an important relationship among the fans and producer to watch the dramas p sesss and storyline. Besides that, it is a culture practices to accept the producers going to do something towards their dramas story through the online fans responses and allow them to engage within the fictional world. Producers were using networking to reckon materials and audiences expected, try to put into the story, attract more audiences to support their TV drama.
By the way, fans expectations of producers position in the broadcasting field accommodate the writing of consistent characters and respect of fan investment in them (Williams, R., 2010:284).
Fan trust is essential for the creation and maintenance of cultish regard practices that are productive in nature. Fans spend a lot of time fleshing out the space in which these shows take place, and it is this restriction that constructs the extra-hyperdiegetic space surrounding a text. (Hills 1992:138, cited by Knaggs, 2011:396). They believe that producers allow bring what they expected to them, for example the storyline or the final stage that they want. They believes that producers must follow what they request and put into the drama. They treat the space as a...If you want to get a full essay, tell apart it on our website: Orderessay
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