First, I wishing to examine the reasons wherefore the myth of Venice seems to be more historiographically prominent than the myth of Florence through and through the examination of the nature and origin of the myths, their respective realities and to what degree fifteenth and 16th century art is representative of these myths both thematically and stylistically. Next, through the examination of political, civic and cultural iconography, I wish to examine the extent to which these republics constructed their own images based on the design Jacob Burkhardt calls, self-fashioning[2]. Finally, I argue that while there are many shortcomings to the myth of Venice in its representation of itself as a arrant(a) republic, to call her political reality of the 16th century a myth is an acute argument. I Origin of the Myths The daunting task of examining how and why Venice was able to self-represent herself so effectively and Florence was not, begins with the exploration and understanding of these... If you call for to get a full essay, order it on our website: Orderessay
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