Sunday, October 16, 2016
A Golden Age by Tahmima Anam
It is of utmost importance to both author that his work possesses the factor of longevity. With that being said, Tahmima Anam is one much(prenominal) author who artistically employs techniques in order to ensure that her fables be memorable. It can therefore be argued that a golden epoch is indelible owing to the allude connection made betwixt the endorser and the protagonist, Rehana, which Anam brings into being. Rehana, the writers centre of consciousness, is given priority over the other characters in terms of how the reader pur see to its Rehanas actions and interprets her thoughts. During 1971, in struggle part Bangladesh, the reader can therefore easily witness and is unploughed informed as to Rehanas involvement in the war as well as the relationships she forges and strengthens. Hence, it is undeniable that literary devices argon indispensable to the creation of the new(a)s longevity as it is these devices that propel the formation of the readers bond with the p rotagonist. The writers intent of report point of view as well as Rehanas role as chassis for the nation (Bangladesh) argon thus important techniques deployed by the author. The occasion technique elucidates Rehanas inward sentiments, secrets and motivations whereas the latter is indicative of self-importance realization which parallels the nations growth and maturation into an freelance one.\nDear husband, I muzzy our children today, Rehana utters at the flack of the first chapter. She was relaying the events which led up to her losing custody of her children to Faiz when they were quite young. The use of narrative point of view at this point of the novel is vital to the delineation of Rehanas feelings of loss and solitude when her children are taken away. It is actually at this point that the reader realizes that the confine omniscient point of view has been employed by Anam, as the story is being filtered through with(predicate) one characters lens; those of Rehanas. T hese first lines of t...
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