Wild West

In the opening scene of Indians, a buffalo skull, a bloody Indian shirt, and an old rifle serve to provide historic atmosphere as overawe top Cody enters, riding an stilted stallion. At once, the audience learns that it is seeing a rendition of Buffalo Bills famous Wild air jacket Show. Indians, too, be present; Cody claims to them, to the audience, and to himself that I believe I . . . am a . . . hero . . . A GODDAM HERO!

The next scene is set out-of-doors in the winter somewhere in the West. Sitting diddly and other chieftains greet Buffalo Bill in the go with of ternion United States senators, emissaries of and substitutes for the president, who has not come to the Indian council to contend shared problems, even though Cody promised to bring him. Cody calls the Indians his brothers, but his determination of the word is shallow and hypocritical. In the following scene, Cody continues to discuss the Indians engagement with them, but the audience has seen him callously destroying the livelihood of the Indians, shooting single hundred buffalo. Ned Buntline, the reporter who first made Buffalo Bill a popular American hero, is oblivious to the import of this destruction. The Indians are depicted as victims and the whites as callous and unworthy adversaries and victors.

Scene 4, the shortest in the play, shows both the senators and Sitting Bulls Indians watching Buffalo Bills Wild West Show. Scene 5 is this show itself, something of a play-within-the-play: Geronimo, by temper the fiercest fighter against the coming of the whites, parades around the stage piti profusey, a spotter imitation of his former self, while boasting vainly closely past atrocities against whites.

The next scene is the structural center of the play. Here, the three senators interview John Grass,

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