Using the motif of tomatoes on the vine, we see a young priest who has taken a vow of silence, woof the fruit in the crystal clear Macedonian sun. This partitioning of the film is entitled, Words, and adds the additional motif of almost the complete absence of words, or in limited occasion, the inability of words to express thoughts and emotions.
The priest, upon returning to his Spartan cell, discovers a young androgynous witness hiding in his bed. The young person is a little little girl who is hiding from a mob bent on strict revenge upon her for murdering one of their members. The young priest is startled by her appearance, and runs from the cell to seek help from an elderly priest. Since he is uneffective to speak, the elder believes he wants company to go into the night to make up before bed.
Because of this misunderstanding, the young priest returns to his cell and allows the girl to ease on the floor. She also eats some of the tomatoes, representing the extreme need and starvation of the ethnic Albanians. The mob storms the monastery and conducts a search, but somehow, the girl avoids detection. The mob displays particular cruelty, with one member callously gibe a cat several times. Mancevski uses these visual cues to portray the forcefulness and brutality of the ethnic and religious conflict.
The priest is forced to quit and flee the monastery with the young girl as the segment ends. Upon leaving, they discharge a funeral, and a woman who cries out upon witnessing the...If you want to stick out a full essay, order it on our website: Orderessay
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