Some mavens who regard him as something of a cult rule have wondered how he has found the time to do the former(a) things he does among them, managing an intimate art space on N. Garcia (a.k.a. Reposo) Street, Makati, which he founded in the mid-l990s and called by the typographically freaky acronym Ar.I.A.s ( artistryists-run Independent Art Space). Its quixotic aim: to promote much materializationer artists, innovative fine-arts graduates, dropouts and self-taught wannabes in their twenties/early thirties. What they produce may non be mainstream but so-called alternative art in substance and form: post-modern, hybrid, aspiring to be avant-garde. It is also clobber which is zero sugar-commercial (i.e. hardly sells). Like many other young visual-art innovators, he is also into performance art that has brought him to China and Japan. Its a sidelight to his multifaceted creative talent which I find no space to dwell on fair(a) now.
He has also been commuting regularly mingled with Makati and Bongabong, oriental Mindoro, where he resides, to attend to his family, wife and four children. In between inter-island commuting and running a gallery, he does researches in endemic culture, especially that of Mindoros native Mangyan tribes. Ironically, Abstract Art, the mode of appearance he prefers to be identified with which used to be unpopular, has been co-opted in recent years by interior designers as faddish wall and floor décor rather than as bidding of an artists creative vision and inner world. call in it decorism: trendy, bland, pleasant, but soulless imitations of works by Gus Albor and Lao Lianben. Visitors find copious examples of these decorist clones in the LRI Building (where Nuestros Ar.I.A.s...If you want to select a full essay, order it on our website: Orderessay
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