The Work of Fitzgerald & Hemingway the American Voices

Francis Scott Key Fitzgerald was born with quadruplet years left to run in the last century, decease only 44 years later as creative activity War II was engulfing the planet. His works epitomize the mood and courtesy of the 1920s, and his term for that era - the Jazz Age - became the term that the backup man of us use as well. Born September 24, 1896, in Saint Paul, Minnesota, and sent to local Roman Catholic embarkation schools, he completed his formal statement at Princeton University - although at college he mostly ignored formal study, instead receiving his education from writers and critics such(prenominal) as Edmund Wilson, who remained his lifelong friend.

In 1917 he straggle Princeton to take an army commission, and in training camps he rewrite the first draft of his 1920 novel This human face of Paradise. While at a camp in Alabama, he fell in love with 18-year-old Zelda Sayre, who, as the archetypal flapper, would become integral billet of Fitzgerald's fiction as well as his life (Brennan, 1999, p. 41)

This Side of Paradise, published in the spring of 1920, made Fitzgerald sizable, or rich enough at least to marry the high-living Zelda. In this autobiographic novel, the young, disillusioned postwar generation found mirrored their bust dreams and empty, irresolute lives. This is one of the bruskest expressions of Fitzgerald's perspectives on life. His next novel, The Beautiful and the hellish (1922), a mood piece chronicling the anxieties and dissipations of a rich couple,

Fitzgerald recovered sufficiently to become a screenwriter in Hollywood in 1937. That experience invigorate his final and most mature novel, The Last Tycoon (1941). Although it remained au naturel(p) at his death in Hollywood on declination 21, 1940, the book's brilliance prompted critics to reevaluate Fitzgerald's talent and eventually to recognize him as one of the finest American writers of the 20th century.

Hart, J. (19997, Summer). Fitzgerald and Hemingway in 1925-1926. Sewanee Review, 105 (3), pp. 369-81.

In 1924 the Fitzgeralds left their Long Island home for the French Riviera, not to hold permanently to the U.S. until 1931.

In five months he completed The vast Gatsby (1925), a sensitive, satiric fable of the pursuit of success and the dissipate of the American dream. Although it is generally regarded as his masterpiece, Gatsby sold poorly, thus accelerating the rot of his personal life. Despite Zelda's slide into insanity and his into alcoholism, he keep to write, mostly for magazines. It was not until 1934 that his fourth novel advanceed. Tender is the darkness was a thinly disguised, almost confessional account statement of his life with Zelda. Its poor reception led to his own breakdown, recorded in his essays unruffled by Edmund Wilson in The Crack-Up (1945) (Brennan, 1999, p. 41).

proved somewhat slight popular but his wretched stories, however, were in great demand. They compensable for his and Zelda's partying and hotel-society life-style - as well as reflecting and celebrating just such a life. Of his more than 150 stories, he chose 46 to appear in four books: Flappers and Philosophers (1920), Tales of the Jazz Age (1922), All the good-for-nothing Young Men (1926), and Taps at Reveille (1935). Among his finest short stories is "Bernice Bobs Her Hair", which is a delightful piece of writing some a disobedient young woman who decides that the world will be her oyster if she can just look uniform - and so effectively become - one of the flappers she so admires. The story co
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